1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | Bohmische Landschaft | View of a Harbour . | Sunset | Evening Landscape with Two Men | Rocky Reef on the Sea Shore |
Related Artists:
Johnson, Frank Tenney
American Painter, 1874-1939 was a painter of the american west, and he popularized a style of painting cowboys which became known as "The Johnson Moonlight Technique". Somewhere on the Range is an example of Johnson's moonlight technique. To paint his paintings he used knives, fingers and brushes. Johnson was born in Pottawattamie County, Iowa, on his family's farm along the old Overland Trail near a town then called Big Grove and now known as Oakland. Johnson's mother died in December 1886, and by 1888 the family had moved to Milwaukee. There, in 1893, he enrolled in the Milwaukee School of Art (absorbed by Milwaukee State Normal School in 1913), where he studied with a well-known painter of western subjects, Richard Lorenz.
Gustaf Wilhelm Palm
Swedish, 1810-1890,Swedish painter. He entered the Royal Academy of Arts in Stockholm in 1828, where he was a student of Carl Johan Fahlcrantz. Following a tour of Norway he went, via Copenhagen, to Berlin and Vienna for three years in order to seek a cure for an eye illness. He was influenced there by Biedermeier painting and Ferdinand Georg Waldm?ller, and also by the architectural painters Jakob Alt (1789-1872) and his son Rudolf Alt.
Jean Alaux
(1785 - 2 March 1864) was a French history painter and Director of the French Academy in Rome from 1846-52. Alaux was born in Bordeaux, the son of a painter, and the second of four brothers who were all themselves painters. he received his first lessons in art from his father, but went on to formal training with Pierre Lacour, then Pierre-Narcisse Guerin. He was admitted to the École des Beaux-Arts in Paris in 1807. From 1808 he entered works for the Prix de Rome but his energies were diverted when his elder brother, Jean-Francois Alaux (1783-1858), asked him to help with a large "neorama" (a type of Panorama) he was working on. Jean eventually won the Prix de Rome's first prize in 1815, with a work entitled "Briseis weeping over the body of Patroclus", a scene inspired by The Iliad of Homer. He subsequently became a pensionnaire at the French Academy in Rome from 1816 to 1820 (later becoming its director).